#obviously some characters are worse than others

[alianoralacanta]

I want to believe this. I really do.

Williams' statement is standard boilerplate for this situation, entirely compatible with Williams having mentioned the concussion. Perhaps I no longer like the ambiguity constructed by what is not being said, in the context of other developments in F1.

However… nothing in the link says a concussion or any other form of head injury was mentioned or tested for. MotoGP has started reaping the consequences of obscuring a drop in testing quantity and quality in concussions, and I don't want F1 to follow suit, because having a good solid testing protocol sometimes isn't the complete solution one would hope it to be.

I'm going to take the opportunity to talk about F1's concussion protocol. This is because it is the first sport to have a concussion protocol at all, and as such it has some differences in how it operates compared to other sports' protocols.

F1 Concussion Protocol (historically)

Sid Watkins devised F1's first concussion protocol in 1998, with help from Gary Hartstein (his deputy) and Indycar doctors Steve Olvey and Terry Trammell. This used a combination of three tools: 1) Baseline testing. At the start of the season, Sid Watkins got every driver to complete a series of tests. Jacques Villenueve, anticipating a problem that rugby has notably had in subsequent years, suggested he could deliberately underperform at baseline to maximise his chances of returning to play in the event of a crash. Gary told him that if he caught anyone underperforming, he'd ban them from competing for a month because he would assume they already had a concussion. In the end, the competitive nature of drivers meant that they performed their best - drivers wanted to be able to tell others in their gossiping sessions that they'd beaten (or held their own) against each other.

2) Computerised assessment of responses. Using a computer program, Sid and Gary were able to consistently check drivers at the medical centre after large accidents. Eventually, the threshold was set at 15 G because in F1, accidents below this rarely result in anything worse than minor soreness and bruising. The computer remembered previous responses and used them to help make an objective diagnosis. For many years, ImPACT was used, though I do not know whether this or a different program is now used. Originally, this took 20 minutes to run, including some gaps in between tests (while the computer worked out the results) that made space for tool #3:

3) Asking questions. There's a certain subjective evaluation to assessing a concussion, although there are systems that allow a lot of them to be identified objectively. Concussion often affects how someone arrives at an answer, which in 1998 wasn't something a computer could assess very well. However, if a driver said something completely out-of-character or was obviously a guess at the correct answer instead of simply recalling it from memory, a human doctor can make the correct diagnosis that way. The F1 protocol, unlike many other sports, specifically allowed return to competition at the same event if it was possible to medically demonstrate that recovery was likely to have occurred. However, it had and as far as I know still has a high threshold for that permission.

Possible Issues With the Procedure

The protocol is not foolproof, and it does rely on drivers making sure they self-monitor for aggravation of symptoms when next in the car. Nobody has yet devised a concussion protocol that 100% reliably assesses someone for driving at over 100 mph while they are sitting in a medical centre, nor is this likely to occur.

It also depends on the FIA being given accurate information. This doesn't always happen. Max Verstappen and Red Bull hid the fact that Max had a concussion during parts of the second half of 2021 successfully, until after the FIA could penalise either for doing so. Earlier than that, in Sochi 2016, Carlos Sainz somehow managed to get through one of these evaluations without mentioning to the medical team he had concussion (and without anyone on his team doing so either). Hopefully this makes my lingering concern about this matter make more sense. (As well as why I think the FIA did the best they could with the Colapinto situation, regardless of what information it did or did not have).

i dont want to defend williams but like some of you need to start fact checking. franco was medically cleared to race. williams didn't make him race while medically unfit. chill out

[gatorbites-imagines]

micheal meyers fic if you still write for him? 🎃

I rlly liked your other fics with him, not a big fan of him being characterized as overly affectionate so I rlly liked your kinktober fics about him

something in a similar vein to that? smut or no smut is chill, just him being infatuated in his own creepy way

Michael Myers x male reader

Headcanons

Im happy you like my stuff :3c ive never imagined he was overly affectionate either, it just didn’t feel like it fit his character very much, ya know? No hate to the people who write that, I just like imagining him as a creepy guy, standing there… menacingly…

I think the only way you two could have met where you made a lasting impression is if you were somehow at the same asylum as him. Be it as a doctor or a patient. But I’ve never read a fic where the reader was one of the doctors, so that’s what we’re gonna go with here.

Joining up at smith’s grove sanitarium hadn’t been your first choice, since it was known as a pretty run-down place, that treated their patients more as prisoners than people. It may have been a place for the worst of the worst, but they were still people in your eyes.

You get Michaels attention by somehow wrenching his care from Dr Loomis’s hands, using all kinds of laws and loopholes to rip it from him and then running for the door pretty much. To you, what Loomis did should get him placed in jail and his license removed, as it could only have made his patients states worse.

Building a relationship with Michael is what many would call impossible. But you believed that every person had something special that fueled them, and just being treated like a worthwhile human being always seemed to do the trick.

It took months, if not years for you to really worm your way into Michael’s heart, or whatever was left of it. He hadn’t really had many positive male people in his life, something you also blamed Dr Loomis for, but over time he grew closer to you, in his own way.

To others it may seem like Michael was the same as always, but at this point you’ve worked with him so long that you know him. You can feel his attention follow you, even when you are on the other side of the yard where the patients get sunlight.

It’s no shock that you are most patients’ favorite, especially after you become head of the hospital, after a very long and stressful battle with those stuck in their old ways. It made you start cleaning house, getting rid of bad caretakers and methods to replace them with better ones.

You took it extremely seriously, and would have any so called interviewers or investigators removed from the premises, to not mess with your patients’ care.

You gain a bit of a reputation in the media at how incredibly cruel you can be to the people who wish to use and abuse your patients. Some call you crazy for protecting them, especially as everyone knows Michael Myers resides there.

But to you, it doesn’t matter. You have no spouse, no children, you haven’t talked to your family since you left home at 18, all you truly have is your job, so that is what you use your energy on.

And if a lot of that time is spent with Michael, then so be it. Having Michael actually emote or pay attention to you, is a big step in the right direction in your book. You can never get him to talk, but he does succeed in learning a couple of signs, though you suspect he only does it because he knows it makes you happy.

Later you would look back on Michael’s escape as something you blamed on yourself. Over the long time you had been his caretaker, you always made sure to be there on Halloween, since it was such an important date for him.

He never told you this, obviously, but you could tell. It just happened that you had needed surgery around that time, something you couldn’t put off as much as you wanted. If you wanted to keep caring for your patients, then you needed it done.

So, it truly shouldn’t have been such a surprise for one of your nurses to call you in a panic that Michael had somehow gotten out. Being bedbound, there wasn’t much you could do but give orders from home and watch the tv.

You didn’t technically live in Haddonfield, but you lived close enough that you could bike to town for groceries if you needed to, but also so you could drive to work without much issue.

Seeing no reports of murders outside the usual made you sigh and slump in on yourself. You had put off taking your pain medication, wanting to be clearheaded and aware, just in case you needed to be. And what else kept one clear in the head but pain.

As bedridden as you were, there wasn’t much you could do when you heard your back door open. You only knew it was that door, as it had a loud squeaky hinge you never got fixed, as it wasn’t like you used that entrance much.

Seeing Michaels looming stature shouldn’t have been a shocker either. What did amaze you to a certain, professional extent, was that he hadn’t put on his usual coveralls or mask, instead it was one you two had made together using safe materials.

There was no verbal or physical reply when you spoke to him, outside of a slight rise of tension in his shoulders when he heard you grunt in pain, as you turned to look at him.

You didn’t want to call the hospital, knowing just how volatile Michael could be. And you may have replaced many doctors and nurses, but they still feared him, all but you at least. The only thing you truly could do was speak to him, to make him stay so he didn’t go kill anyone.

Maybe it was the years of care you had given him, but Michael at some point moved closer, just staring down at you and the bandages around your stomach.

You had a feeling he wanted to poke it or maybe just unwrap it, but you had worked with him about other people’s pain tolerance. Michael still only seemed to care when it was you, but you put a lot of stuff in his notes about your professional opinion and growth.

There were worse caretakers than Michael. In all reality he wasn’t really a caretaker. A lot of it was just him standing by the door, in the corner, or right at the foot of your bed to watch you. Hed shuffle after you wherever you went in the apartment, even carrying you when you couldn’t move too much.

you had decided to heal enough to bring him back to smith’s grove when you healed enough, already knowing how violent Michael could be with other people.

To Michael though, this meant more than you meant. He wasn’t one to feel lust or much romantic attraction, but he was drawn to you and attached enough to just stay, to even bring you your pill bottles and water, like how you would to him at smith’s grove.

You theorized it made him happy, in his own way, to know he was helping in the ways he knew how. Another more paranoid part of your brain did worry about what he did when you slept, since the pain medication had that effect.

Nothing ever looked out of place, but you did catch him kneeling beside your bed on more than one occasion, just holding your hand. Or the times hed place your hand on top of his head so you would caress him.

It was inappropriate for a doctor to do such a thing with his patients, but Michael seemed calmer and more at ease when it was just you two. He couldn’t cuddle in bed with you, and neither did he seem to want to, but being held and coddle in small amounts seemingly worked for him.

Michael clearly wasn’t pleased when you took him to return to smith’s grove, but he actually came along without issue. It caused a whole media storm, but over the years you had mastered those too. As long as it helped your patients, then you would do it, to a certain extent.

And if giving Michael weekends at your place where he got to stalk you around your own property was what he needed, then so be it. you saw it as progress, in his own, weird way. Hell, Michael even started sitting and having dinner with you instead of just hovering. To you that was a win, no matter what others said.

[multi-fandomsfreak]

Headcanons for Pico hanging out with reader while they're both drunk/high? He'd be a fun boyfriend to get fucked up with.

High & Drunk HC’s With Pico

Hey there! Thanks for the ask!

Admittedly I wrote this without much sleep. I decided to pull an all nighter because of my shitty sleep schedule so please excuse any mistakes. ~ Blaze/Dawn

Pronouns: Not Mentioned

Warning: ⚠️Smoking/Drugs + Drinking/Alcohol⚠️

Requested: Yes/No

Characters: Pico

Proofread: ❌

Credits: Art By FNF Crew + Banner By hwmnwo (Edited by me) On Pinterest

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- When it comes wanting to either smoke or drink I feel like he’s more of a smoker than a drinker. Not that he doesn’t drink it’s just that if you gave him the option to either smoke a joint or jug down some vodka he’s choosing the first option. Plus as I mentioned in my previous fic about him he canonically smokes and ‘chokes down in large quantities’ (that’s what phantom arcade said) so it kind of makes sense. Also I like to think he absolutely hates hangovers. Minor or severe he just can’t handle them. Having a massive headache, throwing up what you had the previous night, every part of your body aching. He hates it. He dealt with worse shit and he was able to handle that but not this. So he would rather smoke to avoid that.

- Again like in my previous fic of him he literally just calls you up and asks if you want to smoke or drink. Sometimes he doesn't bother calling you, he just shows up. Like one minute you're alone then you hear your doorknob rustle before Pico just bursts in with either weed or alcohol in hand saying he wants to hang out. Obviously you agreed because one he was already here and two you had nothing better to do so you just agreed.

- Now for what he’s like when he’s high:

- I feel like it might take a little bit for him to get high. Only because he’s been somewhat consistent with it back in Pico School. I also think it depends on what type of drugs he’s using. He prefers to use at least a few blunts compared to other things like edibles. Not that he doesn’t like it, he does. He likes to see how he can put weed in his food but for him at least it takes longer to hit. He wants it to hit as soon as possible. I think this mostly stems from him trying to calm himself down especially after what happened back at school.

- I bet Pico would be the type of person to just zone out while high with a shit eating grin on his face. The smallest things make him laugh. Like I said, the reason why he gets high is because he needs to destress so the whole point is that he’s getting to that relaxation point and not an anxious point. He just zones out. The type of conversations the two of you have while high is very questionable but the two of you don’t do anything about it.

- You don’t really do anything else when both you and him are smoking. Mostly just watch whatever the hell is on tv and munching on some shit completely tripping on whatever the two of you took.

- As for when he gets drunk:

- As I said before he prefers to get high then drunk so you don’t really see him get drunk often but he does do it. I feel like he’s kind of a heavy weight despite not drinking often. I feel like he doesn't like sweet drinks/cocktails. I just don’t see him drinking anything sweet. He just downs alcohols like vodka.

- I don’t why but I’d like to think he’d be an emotional drunk. Why? Because it’s funny or me just being delusional. Seeing him and his usual personality becoming an emotional mess is just funny to me. I also like to think he’d be kind of clingy especially around you. Sobbing into your shoulder while telling you how much he loves and appreciates you. While you on the other end have to comfort him telling him you know and appreciate him as well.

- I also like to think he’d be kind of reckless while drunk as well. I think it mostly stems from him being emotional. He just so hyped up that he just can’t stay still so he just goes around doing random shit. It’s like trying to look after a child with how he acts. It’s even worse when both of you are drunk. He just encourages you to join in and with you also being drunk and not making that great of decisions you enable it. Sometimes you two find yourself covered in bruises causing you two to think how the hell you got them/what the hell the two of you did.

- Though he kind of enjoys the moment of being drunk as I mentioned he absolutely hates the hangover part. He just doesn’t like the feeling of every part of his body hurting while trying not to throw up, sometimes failing to do so. He constantly complains about the smallest things while hungover but despite this if you're also hungover he does still try to comfort you. Patting your back telling you it’s alright while throwing up himself. He ain’t letting it stop him to make sure you're alright.

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[eenochian]

the way this fandom treats characters is astounding. like y’all do realize that every single character is shitty, right? literally every last one. your blorbo is not an exception. no, “but my fave—” no exceptions. literally the only character that i can’t think of any issues with off the top of my head is farah.

[atreefullofstars]

So like, in my case, it's because I haven't been on board with the narrative's framing of the moral landscape since like episode... three?

This narrative is just PLAGUED with rules for thee but not for me. Is it wrong to assassinate the enemy kingdom's ruler who has blood on his hands? Depends on who does it. To send an assassin after the innocent young prince? Depends on who's doing it. To BE a magical assassin? Dunno, are you aesthetically pleasing while doing it? Is it wrong to kill bugs? Depends on who's doing it. Is it wrong to want power? Ditto. Is it wrong to use slurs and do unflattering impersonations of another species? Shocking and unforgivable if you're human, hilarious if you're an elf. Almost point for point, everything the "evil" characters have done that was bad, the "good" characters have also done and never been held to account for it by the other characters or by the narrative. And the "bad guys" have done a lot of GOOD stuff that the narrative refuses to acknowledge.

One of THE villains of the series is a man who worked tirelessly and sacrificed his physical health to not only defend his people from natural disasters and from incursions from invading forces, but ALSO defends the actual lives of said people from a king who would blithely throw thousands of them away for a feel-good moment with the queens of a foreign kingdom. Harrow FAILED as a king right there, it would have been DISASTROUS to his rule if they'd actually carried our that edict, Viren snatched that situation right out of the fire, and he's VILIFIED for it! And the reasoning is that they had to kill a big, possibly sentient, possibly unique creature to save thousands of (ordinary, common, boring) lives... ... but THEN when it's RAYLA AND CALLUM setting out with the intent to kill a big, possibly sentient, possibly unique creature -- not even to save lives, but to restore a cultural practice and claim the reward for it -- THAT'S FINE. Yes, they found a way not to kill it, warm fuzzies all around, but the narrative completely fails to grapple with the fact that they were GOING to and it NEVER treats that as wrong the way it does with the magma titan. (Caveat: I'm not saying Viren did nothing else wrong, but I take issue with the way sins were heaped upon him by the writers in later seasons because frankly they're just trying to retroactively justify the vilification that was already present in season 1.)

And the BIGGEST injustice at the heart of all these injustices is this idea that humans have no right to want magic, even when they're dying for lack of it, even when the people who have it are abusing them instead of helping them, humans have no right to call anybody out or take anything they aren't given or even wish for it to be different. Every human who ever did dark magic for any reason was wrong, every human who ever fought back against an elf or dragon was wrong, humans are supposed to accept their place at the bottom of the pecking order and in the reservations they've been force-marched to and they're supposed to be the ones to absorb any lingering anger from the conflict and set down their weapons first even when being actively invaded --

-- and then we get told the story of the FIRST time this happened, when a sweet innocent child motivated by love was the only one who wanted to help humans, and she was KILLED for it in the name of the natural order --

-- I'm on Team Aaravos here, not because I think he's righteous (he's not) or because this is nobler than vengeance (it's not) but because I'm disgusted with the so-called morality of everyone the show is telling me to root for. EVERYONE in this show has sought revenge for something at some point, which makes Aaravos no worse than any of them in terms of motives. Everybody's got blood on their hands, and the numbers just depend on who you think 'counts' as a person. He's manipulative in a way that obviously creeps some people out, but this show has failed to give me any character whose behavior I'm happy with, so pick your poison.

Aaravos is railing against the entire moral order of this little fictional universe and so am I. He wants to take that world apart with his teeth and I'm going to be over here with my popcorn. Fucking get 'em, babygirl.

Obviously he's going to lose, and we'll get some speech about how it was because of the desire for peace and unity or something, and it'll be super super gross, and the show will never actually address the fate it consigns the human race to, and everything will all work out because the writers said so, forever and ever, amen. Whatever. I'm here for the food at this point.

Someone explain to me why there are so many posts along the lines of: "Aaravos can do whatever he wants now that we know he lost his beloved daughter and has trauma"

My brother in Satan that's someone else's daughter he's going after and exploiting now.

I know the answer is He's Hot So He Can Do Whatever He Wants which- yeah like I'm here for the fandom's poor-little-meow-meowfication of him, too. Fandom gotta fandom, I guess. but still- I don't fully get that on a logical or emotional level.

The whole Leola thing did humanise him, yes, but that added complexity didn't change my mind about him being kind of a dick.

There is this song in Sweeney Todd, Johanna (Quartet). Sweeney grieves the loss of his daughter but that's still secondary to how focused he is on using that grief to fuel his desire for a revenge- Revenge that's destroying countless lives of innocent bystanders who mean nothing to him. The story he tells himself about his innocent daughter's faith is the justification for his actions. That's my perception of Aaravos. And that's ultimately more interesting to me than him being a perfect lil' victim of this all.

[onaperduamedee]

I don't know if it's show bias, but I struggle to understand the reading of Moiraine as someone who is so driven by her mission that she doesn't care.

From the get-go, she flees the White Tower for fear of ending up Queen of Cairhien and as cruel a leader as the rulers in her family, although it would have meant control and power;

Getting knocked down and unable to channel, she stabs a former teacher to stop her from killing innocents who have little to do with her mission;

She rushes to the Blight to bond Lan and keep him from basically killing himself, even if again it is a gamble, and later on, the bond transfer is about saving him, albeit cruelly;

She uses her body as a shield to hold off a Forsaken in order to help Rand, sustaining serious injuries in the fight, although her sacrifice is mostly useless considering how overpowered she is;

Many times, she heals villagers, soldiers, Aiel, wolves, sometimes until she is on the brink of passing out;

She fights Shadowspawns in Tear, in the Waste just as bravely as Lan, despite not being battle Ajah and often being surrounded by Aiel who can do the job by themselves;

She tackles Lanfear, toppling with her inside a collapsing ter'angreal, effectively dooming herself and cutting herself from the narrative, to help Rand, Egwene and Aviendha.

Obviously, you could argue that each of these actions would bring her an advantage and in acting so, she was only playing her part in the pattern, without a care for the people she was helping, but that's such an ungenerous reading of the character given what the text provides.

Her mindset is utilitarian and pragmatic, but to see her ever-present doubts, her growing despair and raging hope in Rand and still interpret her as uncaring is mind-boggling to me.

Her whole speech in TSR regarding "People [fighting] for you who do not know it, any more than you know them" tells of someone who believes saving the world will require a lot of collaboration and awareness of each other, not merely machinations and control.

She is a hard woman, but uncaring she is not.

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[fistfightinganxietyandlosing]

I love media where all the characters are shitty people. There is no good guy because everyone is flawed as fuck and I think that's beautiful. I really wish there was more of it.

[adamsvanrhijn]

another day another thought about how literally all they needed to do to make the maud plotline make sense. before even making it Better. is to simply have her not go to anybody's house other than aurora's

[vonkarma2]

ultimately my enjoyment is hampered because it is low key sexist bc it takes place in an alternate universe where Sigmund Freud is real. though I did still like it for the most part but I hate Sigmund Freudddd Utena better

[lisbonsteresa]

knees weak, arms are heavy

[girlkomaeda]

thwy added the yuri and the other gay guy in devilman crybaby to make up for this

[charlesemersonwinchesteriii]

🔥 BJ Hunnicutt

My opinion on BJ Hunnicutt is whatever one of my mutuals last posted about him. My opinion on BJ Hunnicutt is whatever will get me notes. My opinion on BJ Hunnicutt is whatever Mike Farrell said in whatever his latest interview is because that man has so much love for this show and this character and his longstanding support of the queer community means so much to me and I like to think it meant a lot to Mr. Stiers too if it’s not too parasocial to say so and his interaction with MASH fans even decades later is so kind and sweet and the way he played his character even when the writers admitted he didn’t have enough to work with textually still has such an impact on so many viewers and I think that’s really powerful especially when you think about how it’s contributed to the recent boom in the general MASH fandom economy which no matter what I absolutely consider a net positive to the legacy of the show and to the world in general and even just to me personally given the way that being a part of this small community has changed my own life.

But mostly my opinion on BJ Hunnicutt is just. Whatever.

[doppelnatur]

to a certain degree i don't think there is such a thing as purely internalized and internally directed bias. i don't think directing bias at yourself is morally much better than directing it at others it's just a lot harder to stop. that said, as soon as your self cruelty begins to affect anyone else it's just cruelty. a gay man being homophobic is not any more justifiable than a heterosexual man. then again, maybe this entire way of thinking shows a lack of compassion for myself and is a form of bias.

[femmefaggot]

genuinely very very happy about maya still Do Not get me wrong. I simply wish... the world was better and less cruel. and that I was not complicit in that cruelty. and that honorspren in shadesmar werent such hypocrites.